In a suburb of Vienna during some hot summer days: A teacher who is in bondage to a sleazy pimp, a very importunate hitchhiker, a private detective on the run for some car vandals, a couple with a serious marriage problem and an old man, whose wife died long before on the search for some sexual entertainment live their lives while their lifelines cross from time to time.
The Robber (German: Der Räuber) is a 2010 drama film directed by Benjamin Heisenberg. The film is based on a novel by the Austrian author Martin Prinz, and was shot on location in Vienna. The main character, Johann Rettenberger, is based on Austrian bank-robber and runner Johann Kastenberger. The film was nominated for the Golden Bear at the 60th Berlin International Film Festival.
Maria finds herself caught between two worlds. At school this 14-year-old girl has all the typical teenage interests, but when she’s at home with her family she follows the teachings of the Society of St. Pius XII and their traditionalist interpretation of Catholicism. Everything that Maria thinks and does must be examined before God. And since the Lord is a strict shepherd, she lives in constant fear of committing some misconduct...
A woman discovers that an old hotel hides some unexpected secrets in this psychological thriller. Irene (Franziska Weisz) is hired as a desk clerk at a luxury hotel in Austria following the disappearance of Eva Stein, who had previously held the position. Having moved to the city to take the job, Irene takes a room in the hotel for the meantime, and is eager to learn more about her new home and business, though her boss Kros (Peter Strauss) seems curiously guarded about what goes on at the hotel. Though Irene makes friends with some of the staff members, she still spends a great deal of her time trying to uncover the mysteries of the building, and when she discovers a pair of Eva Stein's glasses, she begins to wonder if the girl ever went missing at all or if she might still be on the premises somewhere. Hotel was screened as part of the "Un Certain Regard" series at the 2004 Cannes Film Festival.
An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.
The story and fate of three families: A Jewish family destroyed by the massacres of the Nazis in Lithuania; the family of the culprit, who flew to America and keeps grotesque family cohesion; the family of Ratz, a social democratic family, dissolving itself miserably in today's Vienna. The condemnation of the last century bundled in these three families showing clearly that one could never escape from its own past. Written by themoth-1
Eine Kleinstadt in Bayern, kurz nach dem Zweiten Weltkrieg: Thomas Sojer, genannt Tom, der nach dem Tod seiner Eltern bei seiner Tante Polli lebt, hat nur Flausen im Kopf, die er gemeinsam mit seinem Freund Bartel "Hacke" Hacker nur allzu gerne auslebt. Nur blöd, dass bei einem der Streiche die Nähmaschine zerstört wird, mit dem Polli ihren Lebensunterhalt verdient. Zu allem Übel beobachten Tom und Hacke eines Nachts auch einen Mord, für den ein Unschuldiger bestraft werden soll. Tom und Hacke beraten sich: Vielleicht ist es möglich, dem Unschuldigen und Tante Polli gleichzeitig zu helfen?