Mike Nichols’ film from Edward Albees play brought new themes to the film industry. Elizabeth Taylor and Richard Burton have never been more brilliant together as they portray an experienced married couple who love each other yet verbally attack one another when they see how boring their naïve newlywed guests have made their night.
Marion is a woman who has learned to shield herself from her emotions. She rents an apartment to work undisturbed on her new book, but by some acoustic anomaly she can hear all that is said in the next apartment in which a psychiatrist holds his office. When she hears a young woman tell that she finds it harder and harder to bear her life, Marion starts to reflect on her own life. After a series of events she comes to understand how her unemotional attitude towards the people around her affected them and herself.
An intensely sad film about two brothers who cannot overcome their opposite perceptions of life. One brother sees and feels bad in everyone and everything, subsequently he is violent, antisocial and unable to appreciate or enjoy the good things which his brother desperately tries to point out to him.
Michael is a young boy living in a typical 1950's suburbanite home... except for his bizarre and horrific nightmares, and continued unease around his parents. Young Michael begins to suspect his parents are cooking more than just hamburgers on the grill outside, but has trouble explaining his fears to his new-found friend Sheila, or the school's social worker.
The Disciples of James Dean meet up on the anniversary of his death and mull over their lives in the present and in flashback, revealing the truth behind their complicated lives. Who is the mysterious Joanne and what's the real story behind Mona's son, James Dean Junior ?
CONFESSIONS OF A SUPERHERO is a feature length documentary chronicling the lives of three mortal men and one woman who make their living working as superhero characters on the sidewalks of Hollywood Boulevard. This deeply personal view into their daily routines reveals their hardships, and triumphs, as they pursue and achieve their own kind of fame. The Hulk sold his Super Nintendo for a bus ticket to LA; Wonder Woman was a mid-western homecoming queen; Batman struggles with his anger, while Superman’s psyche is consumed by the Man of Steel. Although the Walk of Fame is right beneath their feet, their own paths to stardom prove to be a long, hard climbs.
Sylvia Barrett is a rookie teacher at New York's inner-city Calvin Coolidge High: her lit classes are overcrowded, a window is broken, there's no chalk, books arrive late. The administration is concerned mainly with forms and rules (there's an up and and a down staircase); bells ring at the wrong time. Nevertheless, she tries. How she handles the chaos and her despair in her first semester makes up the film: a promising student drops out, another sleeps through class, a girl with a crush on a male teacher gets suicidal, and a bright but troublesome student misunderstands Sylvia's reaching out. A discussion of Dickens, parents' night, and a mock trial highlight the term. Can she make it?
Based on D.H. Lawrence's novella about two young women - sickly, chattering Jill Banford and quiet, strong Ellen March - who are trying, hopelessly, to run a chicken farm in Canada. A gentle but powerful man Paul Renfield who used to live on their farm returns and puts things in order. But his proposal of marriage to Ellen awakens the lesbianism dormant in the girls: Jill uses her weakness to make Ellen feel protective, and the women become active lesbians.